Pop meets the Classics 1

"Someone to Call My Lover" is a song by American recording artist Janet Jackson from her seventh studio album, All for You. Written and produced by Jackson and Jimmy Jam and Terry Lewis, the song was released as the album's second single on June 26, 2001.

Janet Damita Jo Jackson (born May 16, 1966) is an American recording artist and actress. Known for a series of sonically innovative, socially conscious and sexually provocative records, as well as elaborate stage shows, television appearances, and film roles, she has been a prominent figure in popular culture since the early 1970s. The youngest child of the Jackson family, she began her career appearing on the variety television series The Jacksons in 1976 and went on to appear on other television shows throughout the 1970s and early 1980s, including Good Times and Fame.

The song's looped guitar riff is sampled from America's 1972 hit "Ventura Highway". The loop played throughout the chorus is an interpolation of "Gymnopédie No. 1" by French classical composer Erik Satie, played in 4/4 time instead of the original 3/4. Jackson had searched for years for the catchy Satie track. "When I was a little girl and I used to come home from school, there was something called "The 3:30 Movie", and they used to play the MGM Musicals. There was a commercial. I remember watching Singin' in the Rain and there was a commercial with the lady all in white, and I don't know if it was for Dove or something like that, but they would play this, 'Da, da, da.' It was the Erik Satie. I never knew who the composer was, and this song never left me."

Éric Alfred Leslie Satie (signed his name Erik Satie after 1884) (17 May 1866 – 1 July 1925) was a French composer and pianist. Satie was a colourful figure in the early 20th century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd.

An eccentric, Satie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a "phonometrician" (meaning "someone who measures sounds") preferring this designation to that of a "musician", after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911.