Wednesday, April 30, 2014

OPERA

Opera is an art form in which singers and musicians perform a dramatic work combining text (called a libretto) and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble.

Opera is part of the Western classical music tradition. It started in Italy at the end of the 16th century (with Jacopo Peri's lost Dafne, produced in Florence in 1598) and soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. In the 18th century, Italian opera continued to dominate most of Europe, except France, attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro (Le Nozze Di Figaro)
Don Giovanni, and Così fan tutte, as well as The Magic Flute (Die Zauberflöte), a landmark in the German tradition.

The first third of the 19th century saw the high point of the bel canto style, with Rossini, Donizetti and Bellini all creating works that are still performed today. It also saw the advent of Grand Opera typified by the works of Auber and Meyerbeer. The mid-to-late 19th century was a "golden age" of opera, led and dominated by Wagner in Germany and Verdi in Italy. The popularity of opera continued through the verismo era in Italy and contemporary French opera through to Puccini and Strauss in the early 20th century. During the 19th century, parallel operatic traditions emerged in central and eastern Europe, particularly in Russia and Bohemia. The 20th century saw many experiments with modern styles, such as atonality and serialism (Schoenberg and Berg), Neoclassicism (Stravinsky), and Minimalism (Philip Glass and John Adams). With the rise of recording technology, singers such as Enrico Caruso became known to audiences beyond the circle of opera fans. Operas were also performed on (and written for) radio and television.

Operatic terminology
The words of an opera are known as the libretto (literally "little book"). Some composers, notably Richard Wagner, have written their own libretti; others have worked in close collaboration with their librettists, e.g. Mozart with Lorenzo Da Ponte. Traditional opera, often referred to as "number opera", consists of two modes of singing: recitative, the plot-driving passages sung in a style designed to imitate and emphasize the inflections of speech, and aria (an "air" or formal song) in which the characters express their emotions in a more structured melodic style. Duets, trios and other ensembles often occur, and choruses are used to comment on the action. In some forms of opera, such as Singspiel, opéra comique, operetta, and semi-opera, the recitative is mostly replaced by spoken dialogue. Melodic or semi-melodic passages occurring in the midst of, or instead of, recitative, are also referred to as arioso. During the Baroque and Classical periods, recitative could appear in two basic forms: secco (dry) recitative, sung with a free rhythm dictated by the accent of the words, accompanied only by continuo, which was usually a harpsichord and a cello; or accompagnato (also known as strumentato) in which the orchestra provided accompaniment. By the 19th century, accompagnato had gained the upper hand, the orchestra played a much bigger role, and Richard Wagner revolutionised opera by abolishing almost all distinction between aria and recitative in his quest for what he termed "endless melody". Subsequent composers have tended to follow Wagner's example, though some, such as Stravinsky in his The Rake's Progress have bucked the trend.
History Origins
The Italian word opera means "work", both in the sense of the labour done and the result produced. The Italian word derives from the Latin opera, a singular noun meaning "work" and also the plural of the noun opus. According to the Oxford English Dictionary, the Italian word was first used in the sense "composition in which poetry, dance, and music are combined" in 1639; the first recorded English usage in this sense dates to 1648.

Dafne by Jacopo Peri was the earliest composition considered opera, as understood today. It was written around 1597, largely under the inspiration of an elite circle of literate Florentine humanists who gathered as the "Camerata de' Bardi". Significantly, Dafne was an attempt to revive the classical Greek drama, part of the wider revival of antiquity characteristic of the Renaissance. The members of the Camerata considered that the "chorus" parts of Greek dramas were originally sung, and possibly even the entire text of all roles; opera was thus conceived as a way of "restoring" this situation. Dafne is unfortunately lost. A later work by Peri, Euridice, dating from 1600, is the first opera score to have survived to the present day. The honour of being the first opera still to be regularly performed, however, goes to Claudio Monteverdi's L'Orfeo
composed for the court of Mantua in 1607. The Mantua court of the Gonzagas, employers of Monteverdi, played a significant role in the origin of opera employing not only court singers of the concerto delle donne (till 1598), but also one of the first actual "opera singers"; Madama Europa.

Tuesday, April 29, 2014

The opera by Dizzy Man's Band

Dizzy man's Band
Dizzy Man's Band was founded in 1969 under the name Take Five. In 1970, they changed their name and recorded their first records. Dizzy man's Band was a fun Dutch pop group from Zaandam around singer Jacques Kloes.
The band debuted in 1970 with the song Tickatoo, with a recognizable, by Creedence Clearwater Revival (Down On The Corner) borrowed melody line. Also trumpet rock bands as Blood, Sweat & Tears were among the frames of reference, according to a number as A Matter Of Facts.

Other songs of the group are Jumbo, Mickey Mouse, Rio, The Show and Mony the phoney. Of those last two numbers was a bilingual medley created as advertising for a bank. Farce Majeure (a Dutch satirical television program) made The Show's an indictment on the Government ("it's only show"). In 1975 was scored with The Opera, a number that catches the ear because of the Pavarotti-like interludes.
In 1983, the Dizzy man's Band fall apart but came together for the Goud van Oud concerts by Veronica.(Veronica is a commercial TV channel in the Netherlands.) In 2009 came another series of concerts.
The Opera
 Hé if you wanna have some show
I know where you have to go
 In every town's a concert hall
 where we gonna have a ball
 It seems a bit official style
 but we can join it for a while
 So let's go to the opera
 and listen to that silly crow

jahahaha jahahaha jahahaha jaahaaaa

Where the barritons are singin'
 la la la la
 And the fatty soprans screamin'
 la la la la la.

See the hero on the stage
 see him dying with much grace
 And Romeo and Julia
makin' love at the opera.
 So if you wanna have some fun
 I know where it can be done
 So let's go to the opera
 and laugh about the silly crow

jahahaha jahahaha jahahaha jaahaaaaa

Where the barritons are singin'
 la la la la
 And the fatty soprans screamin'
 la la la la la.

The opera, the opera, we all like the opera
The opera, the opera, we all like the opera
The opera, the opera, we all like the opera
The opera, the opera, we all like the opera
lalalala lalalala lalalala
 jahahaa jaaaaaaaaah haaaaaaj

The opera, the opera, we all like the opera
 The opera, the opera, we all like the opera
 The opera, the opera, we all like the opera
 The opera, the opera, we all like the opera
 The opera, the opera, we all like the opera
 The opera, the opera, we all like the opera

jahahaha jahaa
 jahahaha jahaa
 jaha jaha jaha jaha
jaaaaaaaaa haaaaaaaaaj

Fail Compilation March 2014

by TwisterNederland

Monday, April 28, 2014

RED HAIR PARTY at T.R.A.C.S

Saturday it was Kings Day in Holland so at or party it was a mix of red and orange hair.
In the Netherlands there is a Redhead Day. This Redhead Day (Roodharigendag in Dutch) is the name of a Dutch summer festival that takes place each first weekend of September in the city of Breda, in the Netherlands. The two-day festival is a gathering of people with natural red hair, but is also focused on art related to the colour red. Activities during the festival are lectures, workshops and demonstrations which are aimed specifically at red-haired people. The festival attracts attendance from 50 countries and is free due to sponsorship of the local government.
The festival started in 2005 unintentionally by the Dutch painter Bart Rouwenhorst in the small Dutch city Asten. As a painter, he was inspired by artists like Dante Gabriel Rossetti and Gustav Klimt. Both of these artists created dramatic portraits of women, and both artists made famous paintings depicting redheaded women.
This year thousands of redheads from many countries come together in Breda! The weekend starts on Friday 5th of September 2014 with a kick-off party and the 'main event' takes place on Sunday 7th of September from 12 o'clock. Seeing so many redheads walking around is an experience. The location of this event is Breda's city centre.

I am always afraid that, during our party, I not make enough snapshot but afterwards I have the difficulty to make a choice out of all of them. So, I give you, what I think, are the best.
Fiorino
Alvei
Ellbee
Tim
Bailey, Caasper and Duke
At the right side Corvus, our future Deejay
It was great that Racker came
Simpli
JK
Alvei always makes a snapshot at the end of the party and this time she invited all the guests to join

To rez or not to rez: that is the question 19

Still had this snapshot of Tim, that he made himself, not rezzed.

Friday, April 25, 2014

RED HAIR PARTY at T.R.A.C.S

T.R.A.C.S at Timothy Plaza on River Island

Lucille Ball an update

Yesterday Eddi Haskell did post a comment on: "Lucille Ball"
He wrote:
She starred in the movie Mame in 1974 with Bea Arthur. She was panned in the role since her voice is not a singing voice, but I love this rendition of "bosom Buddies" that they sang together.
Thank you, Eddi. For me as musical lover I had to mention that. I know Bea Arthur especially from The Golden Girls. And what a coincidence, yesterday it was 5 years ago Bea Arthur died.

Beatrice "Bea" Arthur (May 13, 1922 – April 25, 2009) was an American actress, comedian, and singer whose career spanned seven decades. Arthur achieved fame as the character Maude Findlay on the 1970s sitcoms All in the Family and Maude, and as Dorothy Zbornak on the 1980s sitcom The Golden Girls, winning Emmy Awards for both roles. A stage actress both before and after her television success, she won the Tony Award for Best Featured Actress in a Musical for her performance as Vera Charles in the original cast of Mame (1966).

Mame is a 1974 musical film based on the 1966 Broadway musical of the same name and the novel by Patrick Dennis. It was directed by Gene Saks, written by Paul Zindel, and starred Lucille Ball in her final film performance. The cast also stars Beatrice Arthur, Bruce Davison and Robert Preston.
The film focuses on the life of Mame Dennis (Ball), and her madcap life, which is disrupted when she becomes the guardian of her deceased brother's son, Patrick (Kirby Furlong). Rather than bow to convention, Mame introduces the boy to her free-wheeling lifestyle. The film follows her adventures from the speak-easies of the roaring 20's through the depression of the 1930s. She marries a wealthy Southern plantation owner (Preston), is widowed suddenly, yet through it all, with the help of her dearest friend, Vera Charles (Arthur), manages to keep things under control.

Jolene

"Jolene" is a song written and performed by American country music artist Dolly Parton. It was released in October 1973 as the first single and title track from her album Jolene, produced by Bob Ferguson. It is ranked #219 on the Rolling Stone magazine's list of "the 500 Greatest Songs of All Time".

"Jolene" tells the tale of a woman confronting Jolene, a stunningly beautiful woman, who she believes is trying to steal away her man and begging her to "please don't take her man". Throughout the song, the woman implores Jolene "please don't take him just because you can". And Jolene has with flaming locks of auburn hair. Yes, a redhead!
Jolene lyrics
Jolene, Jolene, Jolene, Jolene
 I'm begging of you, please don't take my man
 Jolene, Jolene, Jolene, Jolene
 Please don't take him just because you can.

Your beauty is beyond compare with flaming locks of auburn hair
 With ivory skin and eyes of emerald green
 Your smile is like a breath of spring, your voice is soft like summer rain
 And I cannot compete with you, Jolene.

He talks about you in his sleep and there's nothing I can do to keep
 From crying when he calls your name, Jolene
 But I can easily understand how you could easily take my man
 But you don't know what he means to me, Jolene.

Jolene, Jolene, Jolene, Jolene
 I'm begging of you, please don't take my man
 Jolene, Jolene, Jolene, Jolene
 Please don't take him just because you can.

You could have your choice of men but I could never love again
 He's the only one for me, Jolene
 I had to have this talk with you, my happiness depends on you
 And whatever you decide to do, Jolene.

Jolene, Jolene, Jolene, Jolene
 I'm begging of you, please don't take my man
 Jolene, Jolene, Jolene, Jolene
 Please don't take him even though you can.

Jolene, Jolene, (Jolene...)

Read Head

Vincent van Gogh
A red head is a person whose hair is a colour between red, brown, and orange. And as there are fifty shades of grey there also fifty shades of red. Ask a hair dresser!

On WikiPedia is a list of people with natural red hair. Red or ginger hair may come in a variety of shades from strawberry blond to auburn. It is the rarest natural hair colour.
People who dyed their red hair into another colour or who went grey with age are included but people with hair dyed red such as Lucille Ball (Yes, Lucille dyed her hair but she was a famous red) and Rita Hayworth are not.
Figures from the Bible or classical mythology, such as Esau or Judas Iscariot are included. Characters from modern fiction such as Anne of Green Gables ( the bestselling 1908 novel by Canadian author Lucy Maud Montgomery) or Ginger Hebblethwaite are not.

But there is one famous redhead I have to mention because she becomes 81 this Saturday.

Carol Creighton Burnett (born April 26, 1933) is an American actress, comedian, singer, and writer. She is best known for her long-running TV variety show, The Carol Burnett Show, for CBS. She has achieved success on stage, television, and film in varying genres including dramatic and comedy roles.

Carol-burnett 1982 in de movie Annie and in 2012
After a difficult childhood in San Antonio, Texas with alcoholic parents, Burnett discovered acting and comedy in college. She performed in nightclubs in New York City and had a breakout success on Broadway in 1959 in Once Upon a Mattress, receiving a Tony Award nomination. She soon made her television debut, regularly appearing on The Garry Moore Show for the next three years, and winning her first Emmy Award in 1962. Burnett moved to Los Angeles, California and began an 11-year run on The Carol Burnett Show which was aired on CBS television from 1967 to 1978. With roots in vaudeville, The Carol Burnett Show was a variety show that combined comedy sketches, song and dance. The comedy sketches included film parodies and character pieces. Burnett created many memorable characters during the show's television run, and both she and the show won numerous Emmy and Golden Globe Awards.
During and after her variety show, Burnett appeared in many television and film projects. Her film roles include Pete 'n' Tillie (1972), The Four Seasons (1981), Annie (1982), Noises Off (1992), and Horton Hears a Who! (2008). On television, she has appeared in other sketch shows; in dramatic roles in 6 Rms Riv Vu (1974) and Friendly Fire (1979); in various well-regarded guest roles, such as in Mad About You, for which she won an Emmy Award; and in specials with Julie Andrews, Dolly Parton, Beverly Sills, and others. She was also back on Broadway in 1995 in Moon Over Buffalo, for which she was nominated for a Tony Award.

Thursday, April 24, 2014

Lucille Ball

Lucille Désirée Ball (August 6, 1911 – April 26, 1989) was an American comedienne, model, film and television actress and studio executive. She was star of the sitcoms I Love Lucy, The Lucy–Desi Comedy Hour, The Lucy Show, Here's Lucy and Life with Lucy, and was one of the most popular and influential stars in the United States during her lifetime. Ball had one of Hollywood's longest careers. In the 1930s and 1940s she started as an RKO girl, playing bit parts as a chorus girl or similar roles and becoming a television star during the 1950s. She continued making films in the 1960s and 1970s. In 1962, Ball became the first woman to run a major television studio, Desilu, which produced many successful and popular television series such as "Mission Impossible" and "Star Trek".

Ball was nominated for an Emmy Award thirteen times, and won four times. In 1977, Ball was among the first recipients of the Women in Film Crystal Award. She was the recipient of the Golden Globe Cecil B. DeMille Award in 1979, the Lifetime Achievement Award from the Kennedy Center Honors in 1986, and the Governors Award from the Academy of Television Arts & Sciences in 1989.
In 1929, Ball landed work as a model and later began her performing career on Broadway using the stage name "Diane Belmont". She assumed many small movie roles in the 1930s as a contract player for RKO Radio Pictures. Ball was dubbed the "Queen of the Bs" (referring to her many roles in B-films). In 1951, Ball was instrumental in the creation of the television series I Love Lucy. The show co-starred her then-husband, Desi Arnaz, as Ricky Ricardo, Vivian Vance as Ethel Mertz, and William Frawley as Fred Mertz. The Mertzes were the Ricardos' landlords and friends. The show ended in 1957 after 180 episodes. 
The cast remained intact (with some additional cast members added) for a series of one-hour specials from 1957 to 1960 as part of The Westinghouse Desilu Playhouse. Its original network title was The Ford Lucille Ball-Desi Arnaz Show for the first season, and The Westinghouse Desilu Playhouse Presents The Lucille Ball-Desi Arnaz Show for the following seasons. Later reruns were titled the more familiar Lucy-Desi Comedy Hour, which was a perennial summer favorite on CBS through 1967. The specials emphasized guest stars such as Ann Sothern, Rudy Vallee, Tallulah Bankhead, Fred MacMurray and June Haver, Betty Grable and Harry James, Fernando Lamas, Maurice Chevalier, Danny Thomas and his Make Room for Daddy co-stars, Red Skelton, Paul Douglas, Ida Lupino and Howard Duff, Milton Berle, Robert Cummings, and, in the final episode, "Lucy Meets the Moustache", Ernie Kovacs and Edie Adams. Ball went on to star in two more successful television series: The Lucy Show, which ran on CBS from 1962 to 1968 (156 Episodes), 

and Here's Lucy from 1968 to 1974 (144 episodes). Her last attempt at a television series was a 1986 show called Life with Lucy – which failed after eight episodes aired, although 13 were produced.

Death
On April 18, 1989, Ball was at her home in Beverly Hills when she complained of chest pains. An ambulance was called and she was rushed to the emergency room of Cedars-Sinai Medical Center. She was diagnosed with dissecting aortic aneurysm and underwent heart surgery for nearly eight hours, receiving an aorta from a 27-year-old man who had died in a motorcycle accident. The surgery was successful, and Ball began recovering very quickly, even walking around her room with little assistance. She received a flurry of get-well wishes from Hollywood, and across the street from Cedars-Sinai Medical Center, the Hard Rock Café erected a sign reading "Hard Rock Loves Lucy". On April 26, shortly after dawn, Ball awoke with severe back pains and soon lost consciousness. All attempts to revive her proved unsuccessful, and she died at approximately 05:47 PDT. Doctors determined that the 77-year-old comedian had succumbed to a second aortic rupture, this time in the abdominal area, and that it was unrelated to her surgery the previous week. Her cremated ashes were initially interred in Forest Lawn – Hollywood Hills Cemetery in Los Angeles, but in 2002 her children moved her remains to the family plot at Lake View Cemetery in Jamestown, New York, where Ball's parents, brother, and grandparents are buried.

Red Hair

This post is about people with red hair, who are sometimes called "redheads".
Red hair occurs naturally on approximately 1–2% of the human population. It occurs more frequently (2–6%) in people of northern or western European ancestry, and less frequently in other populations. Red hair appears in people with two copies of a recessive gene on chromosome 16 which causes a mutation in the MC1R protein.

Red hair varies from a deep burgundy through burnt orange to bright copper. It is characterized by high levels of the reddish pigment pheomelanin and relatively low levels of the dark pigment eumelanin. The term redhead (originally redd hede) has been in use since at least 1510. It is associated with fair skin color, lighter eye colors (gray, blue, green, and hazel), freckles, and sensitivity to ultraviolet light.

Cultural reactions have varied from ridicule to admiration; many common stereotypes exist regarding redheads and they are often portrayed as fiery-tempered.
Geographic distribution
Historical
Several accounts by Greek writers mention redheaded people. A fragment by the poet Xenophanes describes the Thracians as blue-eyed and red haired. Herodotus described the Budini people as being predominantly red haired. Dio Cassius described Boudica, Queen of the Iceni, of the ancient Britons, to be "tall and terrifying in appearance... a great mass of red hair... over her shoulders."

The Roman historian Tacitus commented on the "red hair and large limbs of the inhabitants of Caledonia", which he connected with some red haired Gaulish tribes of Germanic and Belgic relation.

In Asia, red hair has been found among the ancient Tocharians, who occupied the Tarim Basin in what is now the northwesternmost province of China. Caucasian Tarim mummies have been found with red hair dating to the 2nd millennium BC.

Red hair is also found amongst Polynesians, and is especially common in some tribes and family groups. In Polynesian culture red hair has traditionally been seen as a sign of descent from high ranking ancestors and a mark of rulership.
  
Modern
Today, red hair is most commonly found at the northern and western fringes of Europe; it is associated particularly with the people located in the British Isles (although Victorian era ethnographers claimed that the Udmurt people of the Volga were "the most red-headed men in the world"). Redheads are common among Germanic and Celtic peoples.

Redheads constitute approximately 4% of the European population. Scotland has the highest proportion of redheads; 13% of the population has red hair and approximately 40% carries the recessive redhead gene. Ireland has the second highest percentage; as many as 10% of the Irish population has red, auburn, or strawberry blond hair. It is thought that up to 46% of the Irish population carries the recessive redhead gene. A 1956 study of hair color amongst British army recruits also found high levels of red hair in Wales and the English Border counties.

Red hair is also fairly common amongst the Ashkenazi Jewish populations, possibly because of the influx of European DNA over a period of centuries. In European culture, prior to the 20th century, red hair was often seen as a stereotypically Jewish trait: during the Spanish Inquisition, all those with red hair were identified as Jewish. In Italy, red hair was associated with Italian Jews, and Judas was traditionally depicted as red-haired in Italian and Spanish art. Writers from Shakespeare to Dickens would identify Jewish characters by giving them red hair. The stereotype that red hair is Jewish remains in parts of Eastern Europe and Russia.

Lalla Salma
In the United States, it is estimated that 2–6% of the population has red hair. This would give the U.S. the largest population of redheads in the world, at 6 to 18 million, compared to approximately 650,000 in Scotland and 420,000 in Ireland.[citation needed]

The Berber populations of Morocco and northern Algeria have occasional redheads. Red hair frequency is especially significant among the Riffians from Morocco and Kabyles from Algeria, whose frequence reaches 10% and 4%, respectively. The Queen of Morocco, Lalla Salma wife of king Mohammed VI, has red hair. Abd ar-Rahman I also had red hair, his mother being a Christian Berber slave.

In Asia, genetic red hair is rare, but can be found in the Levant (Cyprus, Syria, Lebanon, Jordan, Israel and Palestine), in Turkey, in Caucasia, in Northern Kazakhstan, and among Indo-Iranians. The use of henna on hair and skin for various reasons is common in Asia. When henna is used on hair it dyes the hair to different shades of red.

Emigration from Eurasia and North Africa added to the population of red haired humans in the Americas, Australia, New Zealand and Southern Africa.
  
Culture
In various times and cultures, red hair has been prized, feared, and ridiculed.

Beliefs about temperament
 A common belief about redheads is that they have fiery tempers and sharp tongues. In Anne of Green Gables, a character says of Anne Shirley, the redheaded heroine, that "her temper matches her hair", while in The Catcher in the Rye, Holden Caulfield remarks that "People with red hair are supposed to get mad very easily, but Allie [his dead brother] never did, and he had very red hair."

During the early stages of modern medicine, red hair was thought to be a sign of a sanguine temperament. In the Indian medicinal practice of Ayurveda, redheads are seen as most likely to have a Pitta temperament.

Another belief is that redheads are highly sexed; for example, Jonathan Swift satirizes redhead stereotypes in part four of Gulliver's Travels, "A Voyage to the Country of the Houyhnhnms," when he writes that: "It is observed that the red-haired of both sexes are more libidinous and mischievous than the rest, whom yet they much exceed in strength and activity." Swift goes on to write that: "...neither was the hair of this brute [a Yahoo] of a red colour (which might have been some excuse for an appetite a little irregular) but black as a sloe..." Such beliefs were given a veneer of scientific credibility in the 19th century by Cesare Lombroso and Guglielmo Ferrero. They concluded that red hair was associated with crimes of lust, and claimed that 48% of "criminal women" were redheads.

Fashion and art
Queen Elizabeth I of England was a redhead, and during the Elizabethan era in England, red hair was fashionable for women. In modern times, red hair is subject to fashion trends; celebrities such as Nicole Kidman, Alyson Hannigan, Marcia Cross, Christina Hendricks, Emma Stone and Geri Halliwell can boost sales of red hair dye.

Lucille Ball
Sometimes, red hair darkens as people get older, becoming a more brownish color or losing some of its vividness. This leads some to associate red hair with youthfulness, a quality that is generally considered desirable. In several countries such as India, Iran, Bangladesh and Pakistan, henna and saffron are used on hair to give it a bright red appearance.

Many painters have exhibited a fascination with red hair. The hair color "Titian" takes its name from the artist Titian, who often painted women with red hair. Early Renaissance artist Sandro Botticelli's famous painting The Birth of Venus depicts the mythological goddess Venus as a redhead. Other painters notable for their redheads include the Pre-Raphaelites, Edmund Leighton, Modigliani, and Gustav Klimt.

Sir Arthur Conan Doyle's story The Red-Headed League involves a man who is asked to become a member of a mysterious group of red-headed people. The 1943 film DuBarry Was a Lady featured red-heads Lucille Ball and Red Skelton in Technicolor.

Wednesday, April 23, 2014

Easter Party in Sweetgrass

Last Sunday Sweetgrass had there yearly Easter party. Here are some pictures Gany made.
"Let’s go to the hop"