Goth subculture chapter II

Characteristics of the scene

Icons

Nick Cave

Notable examples of goth icons include several bandleaders: Siouxsie Sioux of Siouxsie and the Banshees, Robert Smith of The Cure, Peter Murphy of Bauhaus and Dave Vanian of The Damned. Some members of Bauhaus were, themselves, fine art students or active artists. Nick Cave was dubbed as "the grand lord of gothic lushness".

Fashion

Gothic fashion is stereotyped as conspicuously dark, eerie, mysterious, complex and exotic. Typical gothic fashion includes dyed black hair, dark eyeliner, black fingernails and black period-styled clothing; goths may or may not have piercings. Styles are often borrowed from the Elizabethan, Victorian or medieval period and often express pagan, occult or other religious imagery. Gothic fashion may also feature silver jewelry.

The New York Times noted: "The costumes and ornaments are a glamorous cover for the genre's somber themes. In the world of Goth, nature itself lurks as a malign protagonist, causing flesh to rot, rivers to flood, monuments to crumble and women to turn into slatterns, their hair streaming and lipstick askew".

Present-day fashion designers such as John Paul Gaultier, Alexander McQueen, and John Galliano have also been described as practising "haute goth".

Films

Some of the early gothic rock and deathrock artists adopted traditional horror film images and drew on horror film soundtracks for inspiration. Their audiences responded by adopting appropriate dress and props. Use of standard horror film props like swirling smoke, rubber bats, and cobwebs featured as gothic club décor from the beginning in The Batcave. Such references in bands' music and images were originally tongue-in-cheek, but as time went on, bands and members of the subculture took the connection more seriously. As a result, morbid, supernatural and occult themes became more noticeably serious in the subculture. The interconnection between horror and goth was highlighted in its early days by The Hunger, a 1983 vampire film starring David Bowie, Catherine Deneuve and Susan Sarandon. The film featured gothic rock group Bauhaus performing Bela Lugosi's Dead in a nightclub. Tim Burton created a storybook atmosphere filled with darkness and shadow in some of his films like Beetlejuice (1988), Batman (1989), Edward Scissorhands (1990), and the stop motion films Nightmare Before Christmas (1993), which was produced/co-written by Burton, and Corpse Bride (2005), which he co-produced.

As the subculture became well-established, the connection between goth and horror fiction became almost a cliché, with goths quite likely to appear as characters in horror novels and film. For example, The Crow and the Underworld film series drew directly on goth music and style. The dark comedy Beetlejuice, The Faculty, American Beauty, Wedding Crashers and a South Park cartoon show portray or parody the goth subculture.

Books and magazines

The re-imagining of the vampire continued with the release of Poppy Z. Brite's book Lost Souls in October 1992. Despite the fact that Brite's first novel was criticized by some mainstream sources for allegedly "lack[ing] a moral center: neither terrifyingly malevolent supernatural creatures nor (like Anne Rice's protagonists) tortured souls torn between good and evil, these vampires simply add blood-drinking to the amoral panoply of drug abuse, problem drinking and empty sex practiced by their human counterparts", many of these so-called "human counterparts" identified with the teen angst and Goth music references therein, keeping the book in print. Upon release of a special 10th anniversary edition of Lost Souls, Publishers Weekly—the same periodical that criticized the novel's "amorality" a decade prior—deemed it a "modern horror classic" and acknowledged that Brite established a "cult audience".

Neil Gaiman's acclaimed graphic novel series The Sandman influenced goths with characters like the dark, brooding Dream and his sister Death. Mick Mercer's 2002 release 21st Century Goth explored the modern state of the goth scene around the world, including South America, Japan, and mainland Asia. His previous 1997 release, Hex Files: The Goth Bible similarly took an international look at the subculture.

In the US, Propaganda was a gothic subculture magazine founded in 1982. In Italy, Ver Sacrum covers the Italian goth scene, including fashion, sexuality, music, art and literature. Some magazines, such as the now-defunct Dark Realms and Goth Is Dead included goth fiction and poetry. Other magazines cover fashion (e.g., Gothic Beauty); music (e.g., Severance) or culture and lifestyle (e.g., Althaus e-zine).

Zdzisław Beksiński 1978 oil painting 

Graphic art

Visual contemporary graphic artists with this aesthetic include Gerald Brom, Luis Royo, Dave McKean, Trevor Brown, Victoria Francés as well as the American comic artist James O'Barr. H. R. Giger of Switzerland is one of the first graphic artists to make serious contributions to the gothic/industrial look of much of modern cinema with his work on the 1979 film Alien by Ridley Scott. The artwork of Polish surrealist painter Zdzisław Beksiński is often described as gothic. British artist Anne Sudworth published a book on gothic art in 2007.

Events

The goth scene continues to exist in 2014. In Western Europe, there are large annual festivals mainly in Germany, including Wave-Gotik-Treffen (Leipzig) and M'era Luna (Hildesheim), both annually attracting tens of thousands of attendees. The Lumous Gothic Festival (more commonly known as Lumous) is the largest festival dedicated to the goth subculture in Finland and the northernmost Gothic festival in the world. The Ukrainian festival "Deti Nochi: Chorna Rada" (Children of the night) is the biggest gothic event in the Ukraine. Goth events like "Ghoul School" and "Release the Bats" promote deathrock and are attended by fans from many countries, and events such as the Drop Dead Festival attract attendees from over 30 countries. The Whitby Goth Weekend is a twice-yearly goth music festival for in Whitby, North Yorkshire, England. There is also Bats Day in the Fun Park in Anaheim, CA. There is also a World Goth Day each year on 22 May.

Androgynous goth

Gender and sexuality

Since the late 1970s, the UK goth scene refused "traditional standards of sexual propriety" and accepted and celebrated "unusual, bizarre or deviant sexual practices." Observers have noted changes in the subculture, such as the "increasing incorporation of S-M sexual practices and fetish culture" in the goth scene. Another aspect of the goth subculture is the "...ambivalence of gothic androgynous practice." The goth subculture is "...equally open to women, men, and transgender people." Dunja Brill's Goth Culture: Gender, Sexuality and Style argues that "...androgyny in Goth subcultural style often disguises or even functions to reinforce conventional gender roles." She found that androgyny was only "valorised" for male Goths, who adopt a "feminine" appearance, including "make-up, skirts and feminine accessories" to "enhance masculinity" and facilitate traditional heterosexual courting roles.

Identity

Several observers have raised the issue of to what degree individuals are truly members of the goth subculture. On one end of the spectrum is the "Uber goth", a person who is described as seeking a pallor so much that he or she applies "...as much white foundation and white powder as possible." On the other end of the spectrum another writer terms "poseurs": "goth wannabes, usually young kids going through a goth phase who do not hold to goth sensibilities but want to be part of the goth crowd..." It has been said that a "mall goth" is a teen who dresses in a goth style and spends time in malls with a Hot Topic store, but who does not know much about the goth subculture or its music, thus making him or her a poseur. In one case, even a well-known performer has been labeled with the pejorative term: a "number of goths, especially those who belonged to this subculture before the late 1980s, reject Marilyn Manson as a poseur who undermines the true meaning of goth."

Media and academic commentary

The goth subculture in the US came under media scrutiny after the 1999 Columbine High School massacre, to the point that teens who declared a goth identity or wore goth clothing faced consequences at school or attention from the police. According to the New York Times, the attacks created a moral panic about the purported role of goth subculture in the shootings. A Canadian man who self-identified as goth did a Columbine-inspired school shooting in 2006. The gunman, Kimveer Gill, had a personal page on VampireFreaks.com where he set out his viewpoints.

According to The Guardian, some goth teens are at more likely to harm themselves or attempt suicide. A medical journal study of 1,300 Scottish schoolchildren until their teen years found that the 53% of the goth teens had attempted to harm themselves and 47% had attempted suicide. The study found that the "correlation was stronger than any other predictor." The Guardian reported that a "glue binding the [goth] scene together was drug use"; however, in the goth scene drug use was varied. Goth is one of the few youth movements that are not associated with a single drug.

The BBC described academic research that indicated that goths are "refined and sensitive, keen on poetry and books, not big on drugs or anti-social behaviour." Teens who are goths will probably stay in the subculture "into their adult life", and they are likely to become well-educated and enter professions such as medicine or law. Dr. Lynne E. Ponton, an adolescent psychiatrist at University of California at San Francisco, says that the goth subculture "appeals to teenagers who are looking for meaning and for identity." She points out that the goth scene teaches teens that there are difficult aspects to life that you "have to make an attempt to understand" or explain.
source WikiPedia

Goth subculture chapter I

The goth subculture is a contemporary subculture found in many countries. It began in England during the early 1980s in the gothic rock scene, an offshoot of the post-punk genre. Notable early gothic rock bands included Joy Division and Bauhaus. The goth subculture has survived much longer than others of the same era, and has continued to diversify. Its imagery and cultural proclivities indicate influences from the 19th century Gothic literature along with horror films.

The goth subculture has associated tastes in music, aesthetics, and fashion. The music of the goth subculture encompasses a number of different styles, including gothic rock, deathrock, post-punk, darkwave, ethereal wave, and neoclassical. Styles of dress within the subculture range from deathrock, punk, and Victorian styles, or combinations of the above, most often with dark attire, makeup, and hair. The scene continues to draw interest from a large audience decades after its emergence. In Western Europe, there are large annual festivals, mainly in Germany.

Music

Origins and development

The term "gothic rock" was coined in 1967 by music critic John Stickney to describe a meeting he had with Jim Morrison in a dimly lit wine-cellar which he called "the perfect room to honor the Gothic rock of the Doors". The Velvet Underground with a track like 1967's "All Tomorrow's Parties", created a kind of "mesmerizing gothic-rock masterpiece" according to music historian Kurt Loder. In the late 1970s, the word "gothic" was used to describe the atmosphere of post-punk bands like Siouxsie and the Banshees, Magazine and Joy Division. In a live review about a Siouxsie and the Banshees' concert in July 1978, critic Nick Kent wrote that concerning their music, "parallels and comparisons can now be drawn with gothic rock architects like the Doors and, certainly, early Velvet Underground. In March 1979, critic Nick Kent used the gothic adjective in his review of Magazine's second album Secondhand Daylight. Kent noted that there was "a new austere sense of authority" to their music, with a "dank neo-Gothic sound". Later that year, the term was also used by Joy Division's manager, Tony Wilson on 15 September in an interview for the BBC TV programme's Something Else: Wilson described Joy Division as "gothic" compared to the pop mainstream, right before a live performance of the band. The term was later applied to "newer bands such as Bauhaus who had arrived in the wake of Joy Division and Siouxsie and the Banshees". Bauhaus's 1979 single "Bela Lugosi's Dead" is generally credited as the starting point of the gothic rock genre.

In 1979, Sounds described Joy Division as "Gothic" and "theatrical". In February 1980, Melody Maker qualified the same band as "masters of this Gothic gloom". Critic Jon Savage would later say that their singer Ian Curtis wrote "the definitive Northern Gothic statement". However, it was not until the early 1980s that gothic rock became a coherent music subgenre within post-punk, and that followers of these bands started to come together as a distinctly recognisable movement. They may have taken the "goth" mantle from a 1981 article published in UK rock weekly Sounds: "The face of Punk Gothique", written by Steve Keaton. In a text about the audience of UK Decay, Keaton asked: "Could this be the coming of Punk Gothique? With Bauhaus flying in on similar wings could it be the next big thing?". In July 1982, the opening of the Batcave in London's Soho provided a prominent meeting point for the emerging scene, which would be briefly labelled "positive punk" by the NME in a special issue with a front cover in early 1983. The term "Batcaver" was then used to describe old-school goths. 

Independent from the British scene, in the late 1970s and early 1980s in California, deathrock developed as a distinct branch of American punk rock, with acts such as Christian Death and 45 Grave. Another genre which had gothic rock's "dark, morbid, and otherworldly leanings" was the "Horror Punk and Death Rock" genre exemplified by the Misfits, a band formed in New Jersey in 1977. The "Horror Punk and Death Rock" genre "...still exists firmly in the gothic rock universe."