THE PHONOGRAPH

On February 19, 1878, Thomas Edison received a patent for the phonograph.
The photo shows Thomas Edison with his patented phonograph.The device could mechanically record and reproduce sound. In its later forms, the device was called gramophone. While other inventors had produced devices that could record sounds, Edison’s phonograph was the first to be able to reproduce the recorded sound.

The sound vibration waveforms are recorded as corresponding physical deviations of a spiral groove engraved, etched, incised, or impressed into the surface of a rotating cylinder or disc, called a “record”. To recreate the sound, the surface is similarly rotated while a playback stylus traces the groove and is therefore vibrated by it, very faintly reproducing the recorded sound. In early acoustic phonographs, the stylus vibrated a diaphragm which produced sound waves which were coupled to the open air through a flaring horn, or directly to the listener’s ears through stethoscope-type earphones.

The phonograph allowed people to listen to whatever music they wanted, when they wanted, where they wanted, and for as long as they wanted. People began listening to music differently, people could now analyze lyrics in depth. The phonograph was also instrumental in the development of jazz.

Academy of Motion Picture Arts and Sciences

The Academy of Motion Picture Arts and Sciences (AMPAS (often pronounced am-pas); also known as simply the Academy or the Motion Picture Academy) is a professional honorary organization with the stated goal of advancing the arts and sciences of motion pictures. The Academy's corporate management and general policies are overseen by a Board of Governors, which includes representatives from each of the craft branches.

The roster of the Academy's approximately 6,000 motion picture professionals is a "closely guarded secret". While the great majority of its members are based in the United States, membership is open to qualified filmmakers around the world.

The Academy is known around the world for its annual Academy Awards, now officially and popularly known as "The Oscars".

The notion of the Academy of Motion Pictures Arts and Sciences (AMPAS) began with Louis B. Mayer, head of Metro-Goldwyn-Mayer (MGM). Mayer gathered up a group of thirty-six people involved in the film industry and invited them to a formal banquet at the Ambassador Hotel in Los Angeles on January 11, 1927. That evening Mayer presented to those guests what he called the International Academy of Motion Picture Arts and Sciences. 

Everyone in the room that evening became a founder of the Academy. Between that evening and when the official Articles of Incorporation for the organization were filed on May 4, 1927, the "International" was dropped from the name, becoming the "Academy of Motion Picture Arts and Sciences".

Several organizational meetings were held prior to the first official meeting held on May 6, 1927. Their first organizational meeting was held on May 11.

Best Original Song

1934 - The Continental, Best Original Song (First Academy Award)

2019 -  Lady Gaga, Bradley Cooper - Shallow (A Star Is Born)

A whiter shade of Bach

Kungfu

In general, kung fu/kungfu or gung fu/gongfu or /ˌkʊŋˈfuː/; 功夫, Pinyin: gōngfu) refers to the Chinese martial arts, also called wushu and quanfa. In China, it refers to any study, learning, or practice that requires patience, energy, and time to complete. In its original meaning, kung fu can refer to any discipline or skill achieved through hard work and practice, not necessarily martial arts. The Chinese literal equivalent of "Chinese martial art" would be 中國武術 zhōngguó wǔshù.

There are many forms of kung fu, namely Shaolin Kung Fu, Wing Chun, Tai chi, etc. and are practiced all over the world. Each form of kung fu has its own principles and techniques. It is only in the late twentieth century, that this term was used in relation to Chinese martial arts by the Chinese community. The Oxford English Dictionary defines the term "kung-fu" as "a primarily unarmed Chinese martial art resembling karate." This illustrates how the meaning of this term has been changed in English. The origin of this change can be attributed to the misunderstanding or mistranslation of the term through movie subtitles or dubbing.

In modern times, Chinese martial arts have spawned the genre of cinema known as the Kung fu film. The films of Bruce Lee were instrumental in the initial burst of Chinese martial arts' popularity in the West in the 1970s. Bruce Lee was the iconic international superstar that popularized Chinese martial arts in the West. The influence of Chinese martial art has been widely recognized and have a global appeal in Western cinemas starting off with Bruce Lee.

Martial artists and actors such as Jet Li and Jackie Chan have continued the appeal of movies of this genre. Jackie Chan successfully brought in a sense of humour in his fighting style in his movies. Martial arts films from China are often referred to as "kung fu movies" (功夫片), or "wire-fu" if extensive wire work is performed for special effects and are still best known as part of the tradition of kung fu theater. The talent of these individuals has broadened Hong Kong's cinematography production and rose to popularity overseas, influencing Western cinemas.

In the west, kung fu has become a regular action staple, and makes appearances in many films that would not generally be considered "Martial Arts" films. These films include but are not limited to The Matrix Trilogy, Kill Bill, and The Transporter.

Martial arts themes can also be found on television networks. A U.S. network TV western series of the early 1970s called Kung Fu also served in an attempt to mainstream the Chinese martial arts on television. With 60 episodes over a three-year span, it was one of the first North American TV shows that tried to convey the philosophy and practice in Chinese martial arts. The use of Chinese martial arts techniques can now be found in most TV action series, although the philosophy of Chinese martial arts is seldom portrayed in depth.

Influence on Hip Hop

In the 1970s, Bruce Lee was beginning to gain popularity in Hollywood for his martial arts movies. The fact that he was a non-white male who portrayed self-reliance and righteous self-discipline resonated with black audiences and made him an important figure in this community. Around 1973, Kung Fu movies became a hit in America across all backgrounds; however, black audiences maintained the films’ popularity well after the general public lost interest. Urban youth in New York City were still going from every borough to Times Square every night to watch the latest movies. Amongst these individuals were those coming from the Bronx where, during this time, hip-hop was beginning to take form. One of the pioneers responsible for the development of the foundational aspects of hip-hop was DJ Kool Herc, who began creating this new form of music by taking rhythmic breakdowns of songs and looping them. From the new music came a new form of dance known as b-boying or breakdancing, a style of street dance consisting of improvised acrobatic moves. The pioneers of this dance credit kung fu as one of its influences. Moves such as the crouching low leg sweep and “up rocking” (standing combat moves) are influenced by choreographed kung-fu fights. The dancers’ ability to improvise these moves led way to battles, which were dance competitions between two dancers or crews judged on their creativity, skills and musicality. In a documentary, Crazy Legs, a member of breakdancing group Rock Steady Crew, described the breakdancing battle being like an old kung fu movie, “where the one kung fu master says something along the lines of ‘hun your kung fu is good, but mine is better,’ then a fight erupts.”

The Nutcracker

Pyotr Ilyich Tchaikovsky

The Nutcracker is a classical ballet in two acts. It is based on E.T.A. Hoffmann's 1816 fairy tale The Nutcracker and the Mouse King. It tells the story of a little girl who goes to the Land of Sweets on Christmas Eve. Ivan Vsevolozhsky and Marius Petipa adapted Hoffmann's story for the ballet. Pyotr Ilyich Tchaikovsky wrote the music. Marius Petipa and Lev Ivanov designed the dances. The Nutcracker was first performed at the Mariinsky Theatre in St. Petersburg, Russia, on 18 December 1892. It was a modest success. Some people liked it, others did not. Because of its reception, the ballet was rarely seen in later years.

About fifty years later, Walt Disney used some of the Nutcracker music in his 1940 animated movie Fantasia. People liked the movie and started to take an interest in the ballet. Interest grew when George Balanchine's The Nutcracker was televised in the late 1950s. The ballet has been performed in many different places since then. It is loved by many people. Before the first performance, Tchaikovsky took some numbers from the ballet to form the Nutcracker Suite. This work was a great success on the concert stage, and is still played today.

Dance of the Sugar Plum Fairy

Celesta

The "Dance of the Sugar Plum Fairy" is one of the most famous numbers in The Nutcracker. It was written for the celesta. This instrument was new at the time the dance was written. It looks like a small piano, but it sounds like bells. Tchaikovsky discovered the celesta in Paris in 1891 while making a journey to the United States. His publisher purchased one and promised to keep the purchase a secret. Tchaikovsky did not want Rimsky-Korsakov or Glazunov to "get wind of it and ... use it for unusual effects before me." Petipa wanted the Sugar Plum Fairy's music to sound like drops of water splashing in a fountain. Tchaikovsky thought the celesta was the instrument to do this. The original steps for the dance are unknown. Antonietta Dell'Era was the first to dance the part of the Sugar Plum Fairy. The character has very little dancing to do so Dell'Era put a gavotte by Alphonse Czibulka into the ballet. She then had something more to do.

Also sprach Zarathustra -Thus Spoke Zarathustra

Thus Spoke Zarathustra: A Book for All and None (German: Also sprach Zarathustra: Ein Buch für Alle und Keinen, also translated as Thus Spake Zarathustra) is a philosophical novel by German philosopher Friedrich Nietzsche, composed in four parts between 1883 and 1885 and published between 1883 and 1891. Much of the work deals with ideas such as the "eternal recurrence of the same", the parable on the "death of God", and the "prophecy" of the Übermensch, which were first introduced in The Gay Science.

The book chronicles the fictitious travels and speeches of Zarathustra. Zarathustra's namesake was the founder of Zoroastrianism, usually known in English as Zoroaster (Avestan: Zaraϑuštra). Nietzsche is clearly portraying a "new" or "different" Zarathustra, one who turns traditional morality on its head. He goes on to characterize "what the name of Zarathustra means in my mouth, the mouth of the first immoralist:"

Friedrich Nietzsche

Friedrich Wilhelm Nietzsche 15 October 1844 – 25 August 1900) was a German philosopher, cultural critic, composer, poet, philologist, and Latin and Greek scholar whose work has exerted a profound influence on Western philosophy and modern intellectual history.

He began his career as a classical philologist before turning to philosophy. He became the youngest ever to hold the Chair of Classical Philology at the University of Basel in 1869 at the age of 24. He resigned in 1879 due to health problems that plagued him most of his life, and he completed much of his core writing in the following decade. In 1889, at age 44, he suffered a collapse and a complete loss of his mental faculties. He lived his remaining years in the care of his mother until her death in 1897, and then with his sister Elisabeth Förster-Nietzsche, and died in 1900.

Also sprach Zarathustra (Strauss)

Also sprach Zarathustra, Opus 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's philosophical novel of the same name. The composer conducted its first performance on 27 November 1896 in Frankfurt. A typical performance lasts half an hour.

The initial fanfare – titled "Sunrise" in the composer's program notes – became particularly well-known after its use in Stanley Kubrick's 1968 film 2001: A Space Odyssey.

The piece is divided into nine sections played with only three definite pauses. Strauss named the sections after selected chapters of the book:

1. Einleitung, oder Sonnenaufgang (Introduction, or Sunrise)
2. Von den Hinterweltlern (Of Those in Backwaters)
3. Von der großen Sehnsucht (Of the Great Longing)
4. Von den Freuden und Leidenschaften (Of Joys and Passions)
5. Das Grablied (The Song of the Grave)
6. Von der Wissenschaft (Of Science and Learning)
7. Der Genesende (The Convalescent)
8. Das Tanzlied (The Dance Song)
9. Nachtwandlerlied (Song of the Night Wanderer)

Pet Shop Boys - Vocal

Vocal house

Vocal House is a style of house music and characterized by intense melodic elements, as well as singing mostly female singer in comparison to the ordinary House. 
The lyrics are usually worked out with great care and nicety of detail, executed with great minuteness as any sample loops of other sub-genres.
Vocal House counts in addition to funky house to the most popular House styles. The speed of this type of House is usually the usual 128 BPM.

GLAM ROCK

Glam rock (also known as glitter rock) is a style of rock and pop music that developed in the United Kingdom in the early 1970s performed by musicians who wore outrageous costumes, makeup, and hairstyles, particularly platform shoes and glitter. Glam artists drew on diverse sources across music and throwaway culture, ranging from bubblegum pop and '50s rock and roll to cabaret, science fiction, and complex art rock. The flamboyant clothing and visual styles of performers were often camp or androgynous, and have been described as playing with nontraditional gender roles.

The UK charts were inundated with glam rock acts from 1971 to 1975, with glam also manifesting in all areas of British popular culture during this period. The March 1971 appearance of T. Rex frontman Marc Bolan on the BBC's music show Top of the Pops, wearing glitter and satins, is often cited as the beginning of the movement. Other British glam rock artists include David Bowie, Sweet, Slade, Mud, Roxy Music and Gary Glitter. In the US the scene was much less prevalent, with Alice Cooper and Lou Reed the only American artists to score a hit. Other US glam artists include New York Dolls, Iggy Pop and Jobriath. It declined after the mid-1970s, but influenced other musical genres including punk rock, glam metal, New Romanticism, and gothic rock and has sporadically revived since the 1990s.

SONGS about MUSIC

From album Night and Day

Music has charms they say 

But in some people's hands 

It becomes a savage beast 

Can't they control it 

Why don't they hold it back 

You see my friend and me 

Don't have an easy day 

And at night we dance not fight 

And we need the energy 

If not the sympathy 

But I'm brutalized by bass 

And terrorized by treble 

I'm open to change my mood but 

I always get caught in the middle 

And I get tired of dj's 

Why's it always what he plays 

I'm gonna push right through 

I'm gonna tell him too 

Tell him to 

Play us 

Play us a slow song 

It's late - I'm winding down 

Am I the only one 

To want a strong and silent sound 

To pick me up and undress me 

Lay me down and caress me 

I feel you touch my hand 

And whisper in my ear 

Ask me how I'm feeling now 

And I want to get near you 

But I can't even hear you 

But this is a fine romance 

If we have to be so demanding 

We need just one more dance to 

Leave here with an understanding 

And I get tired of dj's 

Why's it always what he plays 

I'm gonna push right through 

I'm gonna tell him too 

Tell him to 

Play us 

Play us a slow song

MUSIC

Music is an art form and cultural activity whose medium is sound organized in time. The common elements of music are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements. Music is performed with a vast range of instruments and vocal techniques ranging from singing to rapping; there are solely instrumental pieces, solely vocal pieces (such as songs without instrumental accompaniment) and pieces that combine singing and instruments. The word derives from Greek μουσική (mousike; "art of the Muses").

In its most general form, the activities describing music as an art form or cultural activity include the creation of works of music (songs, tunes, symphonies, and so on), the criticism of music, the study of the history of music, and the aesthetic examination of music. Ancient Greek and Indian philosophers defined music as tones ordered horizontally as melodies and vertically as harmonies. Common sayings such as "the harmony of the spheres" and "it is music to my ears" point to the notion that music is often ordered and pleasant to listen to. However, 20th-century composer John Cage thought that any sound can be music, saying, for example, "There is no noise, only sound."

The creation, performance, significance, and even the definition of music varies according to culture and social context. Indeed, throughout history, some new forms or styles of music have been criticized as "not being music", including Beethoven's Grosse Fuge string quartet in 1825, early jazz in the beginning of the 1900s and hardcore punk in the 1980s. There are many types of music, including popular music, traditional music, art music, music written for religious ceremonies and work songs such as chanteys. Music ranges from strictly organized compositions–such as Classical music symphonies from the 1700s and 1800s, through to spontaneously played improvisational music such as jazz, and avant-garde styles of chance-based contemporary music from the 20th and 21st centuries.

Music can be divided into genres (e.g., country music) and genres can be further divided into subgenres (e.g., country blues and pop country are two of the many country subgenres), although the dividing lines and relationships between music genres are often subtle, sometimes open to personal interpretation, and occasionally controversial. For example, it can be hard to draw the line between some early 1980s hard rock and heavy metal. Within the arts, music may be classified as a performing art, a fine art or as an auditory art. Music may be played or sung and heard live at a rock concert or orchestra performance, heard live as part of a dramatic work (a music theater show or opera), or it may be recorded and listened to on a radio, MP3 player, CD player, smartphone or as film score or TV show.

In many cultures, music is an important part of people's way of life, as it plays a key role in religious rituals, rite of passage ceremonies (e.g., graduation and marriage), social activities (e.g., dancing) and cultural activities ranging from amateur karaoke singing to playing in an amateur funk band or singing in a community choir. People may make music as a hobby, like a teen playing cello in a youth orchestra, or work as a professional musician or singer. The music industry includes the individuals who create new songs and musical pieces (such as songwriters and composers), individuals who perform music (which include orchestra, jazz band and rock band musicians, singers and conductors), individuals who record music (music producers and sound engineers), individuals who organize concert tours, and individuals who sell recordings and sheet music and scores to customers.

Ray Charles

Ray Charles Robinson (September 23, 1930 – June 10, 2004), known professionally as Ray Charles, was an American singer-songwriter, musician, and composer. Among friends and fellow musicians, he preferred being called "Brother Ray." He was often referred to as "The Genius." Charles was blind from the age of seven.

He pioneered the genre of soul music during the 1950s by combining blues, rhythm and blues, and gospel styles into the music he recorded for Atlantic Records. He also contributed to the integration of country music, rhythm and blues and pop music during the 1960s with his crossover success on ABC Records, most notably with his two Modern Sounds albums. While he was with ABC, Charles became one of the first black musicians to be granted artistic control by a mainstream record company.

Charles cited Nat King Cole as a primary influence, but his music was also influenced by country, jazz, blues, and rhythm and blues artists of the day, including Louis Jordan and Charles Brown. In the late forties, he became friends with Quincy Jones. Their friendship lasted until the end of Charles's life.

Frank Sinatra called him "the only true genius in show business," although Charles downplayed this notion.

In 2002, Rolling Stone ranked Charles number ten on its list of the "100 Greatest Artists of All Time," and number two on their November 2008 list of the "100 Greatest Singers of All Time." Billy Joel observed, "This may sound like sacrilege, but I think Ray Charles was more important than Elvis Presley".

His style and success in the genres of rhythm and blues and jazz had an influence on a number of highly successful artists, including Elvis Presley, Aretha Franklin, Stevie Wonder, Van Morrison, Billy Joel, and Steve Winwood. According to Joe Levy, a music editor for Rolling Stone, "The hit records he made for Atlantic in the mid-50's mapped out everything that would happen to rock 'n' roll and soul music in the years that followed". Charles was also an inspiration to Pink Floyd member Roger Waters, who told the Turkish newspaper Hurriyet: "I was about 15. In the middle of the night with friends, we were listening to jazz. It was "Georgia on My Mind", Ray Charles's version. Then I thought 'One day, if I make some people feel only one-twentieth of what I am feeling now, it will be quite enough for me.'"

50s

The 1950s (pronounced nineteen-fifties; commonly abbreviated as the '50s or Fifties) was a decade of the Gregorian calendar that began on January 1, 1950, and ended on December 31, 1959.

By its end, the world had largely recovered from World War II and the Cold War developed from its modest beginning in the late-1940s to a hot competition between the United States and the Soviet Union by the early-1960s.

Dutch grocer in the 50s

Clashes between communism and capitalism dominated the decade, especially in the Northern Hemisphere. The conflicts included the Korean War in the beginnings of the decade and the beginning of the Space Race with the launch of Sputnik 1. Along with increased testing of nuclear weapons (such as RDS-37 and Upshot–Knothole), this created a politically conservative climate. In the United States, the Second Red Scare caused Congressional hearings by both houses in Congress and anti-communism was the prevailing sentiment in the United States throughout the decade. The beginning of decolonization in Africa and Asia took place in this decade and accelerated in the following decade.

The 1950's were a time of changes and the music of the decade both reflected the cultural changes that were happening while still holding on to the societal norms of the past. Following the detrimental effects of World War II, the United States was about to embark on a musical journey that would change the face of music for decades to come. Racial tensions were being strained with the beginning of the civil rights movement and music reflected many of those tensions. Rhythm & Blues (R&B) and Rock 'n' Roll popularized "black" music and many African-American musicians rose to prominence and enjoyed success, but while some were able to reap the benefits of their work, many others were forgotten or denied access to audiences through segregation. A lot of people believe that during the fifties many of the white artists stole music from African-Americans and capitalized on it for their own benefit in a way that the original artists could not. A perfect example of this happening is when Pat Boone was made to cover Little Richard's song "Tutti Frutti" and Boone's version topped higher on the charts, while considered by many to be the inferior version of the song. Others believe that the popularization of R&B and Rock 'n' Roll only helped to bridge the gap between blacks and whites and further the civil rights movement. While those genres paved the way for future music, traditional pop and country music clung to the past with old standards remaining popular and a multitude of covers topping the charts. Either way, this decade was a time of innovation that helped to influence everything that we listen to on the radio today.

K-pop

K-pop (abbreviation of Korean pop; Hangul: 케이팝) is a musical genre originating in South Korea that is characterized by a wide variety of audiovisual elements. Although it comprises all genres of "popular music" within South Korea, the term is more often used in a narrower sense to describe a modern form of South Korean pop music covering a range of styles including dance-pop, pop ballad, electropop, R&B, rock, jazz, popera, hip-hop and classical music. The genre emerged with one of the earliest K-pop groups, Seo Taiji and Boys, forming in 1992. Their experimentation with different styles of music "reshaped Korea's music scene". As a result, the integration of foreign musical elements has now become common practice with K-pop artists.

K-pop entered the Japanese market at the turn of the 21st century and rapidly grew into a subculture among teenagers and young adults of East and Southeast Asia. With the advent of online social networking services, the current global spread of K-pop and Korean entertainment known as the Korean Wave is seen in Latin America, India, North Africa, the Middle East, and elsewhere in the Western world.

watch this one till the end

Bluegrass Music

Bluegrass music is a form of American roots music, and a related genre of country music. Influenced by the music of Appalachia, Bluegrass has mixed roots in Irish, Scottish and English traditional music, and was also later influenced by the music of African-Americans through incorporation of jazz elements.

Settlers from Britain and Ireland arrived in Appalachia during the 18th century, and brought with them the musical traditions of their homelands. These traditions consisted primarily of English and Scottish ballads—which were essentially unaccompanied narrative—and dance music, such as Irish reels, which were accompanied by a fiddle. Many older bluegrass songs come directly from the British Isles. Several Appalachian bluegrass ballads, such as "Pretty Saro", "Barbara Allen",

"Cuckoo Bird" and "House Carpenter", come from England and preserve the English ballad tradition both melodically and lyrically. Others, such as The Two Sisters, also come from England; however, the lyrics are about Ireland. Some bluegrass fiddle songs popular in Appalachia, such as "Leather Britches", and "Pretty Polly", 

have Scottish roots. The dance tune Cumberland Gap may be derived from the tune that accompanies the Scottish ballad Bonnie George Campbell. Other songs have different names in different places; for instance in England there is an old ballad known as "A Brisk Young Sailor Courted Me", but exactly the same song in North American bluegrass is known as "I Wish My Baby Was Born".

In bluegrass, as in some forms of jazz, one or more instruments each takes its turn playing the melody and improvising around it, while the others perform accompaniment; this is especially typified in tunes called breakdowns. This contrasts with old-time music, in which all instruments play the melody together or one instrument carries the lead throughout while the others provide accompaniment. Breakdowns are often characterized by rapid tempos and unusual instrumental dexterity and sometimes by complex chord changes.

There are three major subgenres of bluegrass and one unofficial subgenre. Traditional bluegrass has musicians playing folk songs, tunes with traditional chord progressions, and using only acoustic instruments, with an example being Bill Monroe. Progressive bluegrass groups may use electric instruments and import songs from other genres, particularly rock &  roll. Examples include Cadillac Sky and Bearfoot. "Bluegrass gospel" has emerged as a third subgenre, which uses Christian lyrics, soulful three- or four-part harmony singing, and sometimes the playing of instrumentals. A newer development in the bluegrass world is Neo-traditional bluegrass; exemplified by bands such as The Grascals and Mountain Heart, bands from this subgenre typically have more than one lead singer. Bluegrass music has attracted a diverse following worldwide. Bluegrass pioneer Bill Monroe characterized the genre as: "Scottish bagpipes and ole-time fiddlin'. It's Methodist and Holiness and Baptist. It's blues and jazz, and it has a high lonesome sound."

Unlike mainstream country music, bluegrass is traditionally played on acoustic stringed instruments. The fiddle, five-string banjo, guitar, mandolin, and upright bass (string bass) are often joined by the resonator guitar (also referred to as a Dobro) and (occasionally) harmonica or jaw harp. This instrumentation originated in rural dance bands and is the basis on which the earliest bluegrass bands were formed.

The guitar is now most commonly played with a style referred to as flatpicking, unlike the style of early bluegrass guitarists such as Lester Flatt, who used a thumb pick and finger pick. Banjo players often use the three-finger picking style made popular by banjoists such as Don Reno and Earl Scruggs. Fiddlers frequently play in thirds and fifths, producing a sound that is characteristic to the bluegrass style. Bassists almost always play pizzicato, occasionally adopting the "slap-style" to accentuate the beat. A bluegrass bass line is generally a rhythmic alternation between the tonic and dominant of each chord, with occasional walking bass excursions.

Instrumentation has been an ongoing topic of debate. Traditional bluegrass performers believe the "correct" instrumentation is that used by Bill Monroe's band, the Blue Grass Boys (mandolin, fiddle, guitar, banjo and bass). Departures from the traditional instrumentation have included dobro, accordion, harmonica, piano, autoharp, drums, electric guitar, and electric versions of other common bluegrass instruments, resulting in what has been referred to as "newgrass."

Soulful House

Soulful House is House music (Usually Reflective of Classic House Music) saturated with feeling – This genre often focuses on the musicality of a track; they tend to include vocals and true soul. Steady warm 4/4 vibes. The tempo can vary from 120 - 130 bpm. Some notable Artists for This Genre include Frankie Knuckles, Timmy Regisford and Louie Vega from Masters at Work.

Rock ‘n’ Roll

Rock and roll (often written as rock & roll or rock 'n' roll) is a genre of popular music that originated and evolved in the United States during the late 1940s and early 1950s, from African-American musical styles such as gospel, jazz, and rhythm and blues, with country. While elements of rock and roll can be heard in blues records from the 1920s and in country records of the 1930s, the genre did not acquire its name until the 1950s.

"Rock and roll" can refer either to the first wave of music that originated in the US in the 1950s prior to its development into "rock music", or more broadly to rock music and culture.

In the earliest rock and roll styles of the late 1940s and early 1950s, either the piano or saxophone was often the lead instrument, but these were generally replaced or supplemented by guitar in the middle to late 1950s. The beat is essentially a blues rhythm with an accentuated backbeat, the latter almost always provided by a snare drum. Classic rock and roll is usually played with one or two electric guitars (one lead, one rhythm), a double bass or string bass or (after the mid-1950s) an electric bass guitar, and a drum kit.

Beyond simply a musical style, rock and roll, as seen in movies and on television, influenced lifestyles, fashion, attitudes, and language. In addition, rock and roll may have contributed to the civil rights movement because both African-American and white American teens enjoyed the music. It went on to spawn various genres, often without the initially characteristic backbeat, that are now more commonly called simply "rock music" or "rock".

The Rock and Roll Era is generally dated from 25 March 1955 premiere of the motion picture, "The Blackboard Jungle". This film’s use of Bill Haley and His Comets' "(We’re Gonna) Rock Around the Clock" over its opening credits, caused a national sensation when teenagers started dancing in the aisles.

Songs about the telephone

Please first watch these videos in a post I made last year.

https://christo-second-live.blogspot.nl/search?q=phone

CAMOUFLAGE in MUSIC

Selena Gomez Camouflage lyrics

Dead-end streets and boulevards

You threw in the towel, I broke your heart

But there's a first time for everything

Who would've thought you'd feel so cold

And all these memories seem so old

To think you were my everything

Remember when we'd talk all night

But time ain't easy on us, how can love die?

I got so much shit to say

But I can't help feeling like I'm camouflage

Fortress around my heart

You were mine just yesterday

Now I have no idea who you are

It's like you camouflage

But it's good to see you here again

I don't wanna say goodbye

But it's about half past ten

And I have to catch my ride

Riding alone on the 405

And life's so fragile, it's like I could cry

If that's the last time I'd see you again

But I'll never tell you just how I felt

You might just not care, and it might just not help

What if the feelings just don't make no sense to you, you

Remember when we'd talk all night

But time ain't easy on us, how can love die?

I got so much shit to say

But I can't help feeling like I'm camouflage

Fortress around my heart

You were mine just yesterday

Now I have no idea who you are

It's like you camouflage

But it's good to see you here again

I don't wanna say goodbye

But it's about half past ten

And I have to catch my ride

I got so much shit to say

But I can't help feeling like I'm camouflage

Fortress around my heart

You were mine just yesterday

Now I have no idea who you are

It's like you camouflage

But it's good to see you here again

I don't wanna say goodbye

But it's about half past ten

And I have to catch my ride

VIVALDI "The Four Seasons" - Autumn

The Four Seasons (Vivaldi)

The Four Seasons (Italian: Le quattro stagioni) is a group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives a musical expression to a season of the year. They were written about 1723 and were published in 1725 in Amsterdam, together with eight additional violin concerti, as Il cimento dell'armonia e dell'inventione ("The Contest Between Harmony and Invention").

The Four Seasons is the best known of Vivaldi's works. Unusually for the time, Vivaldi published the concerti with accompanying poems (possibly written by Vivaldi himself) that elucidated what it was about those seasons that his music was intended to evoke. It provides one of the earliest and most-detailed examples of what was later called program music—music with a narrative element.

Vivaldi took great pains to relate his music to the texts of the poems, translating the poetic lines themselves directly into the music on the page. In the middle section of the Spring concerto, where the goatherd sleeps, his barking dog can be marked in the viola section. Other natural occurrences are similarly evoked. Vivaldi separated each concerto into three movements, fast-slow-fast, and likewise each linked sonnet into three sections.