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Monty Python
(1969–1983)
Idle wrote for
Python mostly by himself, at his own pace, although he sometimes found it
difficult in having to present material to the others and make it seem funny
without the back-up support of a partner. Cleese admitted that this was
slightly unfair – when the Pythons voted on which sketches should appear in a
show, "he only got one vote", but says that Idle was an independent
person and worked best on his own. Idle himself admitted this was sometimes
difficult: "You had to convince five others. And they were not the most
un-egotistical of writers, either."
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As the
second-youngest member of the Pythons, Idle was closest in spirit to the
students and teenagers who made up much of Python's fanbase. Python sketches
dealing most with contemporary obsessions like pop music, sexual permissiveness
and recreational drugs are usually Idle's work, often characterised by double
entendre, sexual references, and other "naughty" subject matter –
most famously demonstrated in "Nudge Nudge." Idle originally wrote
"Nudge, Nudge" for Ronnie Barker, but it was rejected because there
was 'no joke in the words'.
A competent
guitarist, Idle composed many of the group's most famous musical numbers, most
notably "Always Look on the Bright Side of Life", the closing number
of Life of Brian, which has grown to become a Python signature tune. He was
responsible for the "Galaxy Song" from The Meaning of Life and "Eric
the Half-a-Bee", a whimsical tune that first appeared on the Previous
Record album.
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