Hamburger Concerto is the fourth studio
album by the progressive rock band Focus. Released in 1974, it peaked at #20 on
the UK charts. The title track is based on Variations on a Theme by Haydn
by Johannes Brahms.
Focus is a Dutch rock band which was
founded by classically trained organist/flutist Thijs van Leer in 1969, and is
most famous for the instrumental pieces "Hocus Pocus" and
"Sylvia". The band broke up in 1978, but reformed in 2002 and has
been recording and touring since.
They have found also renewed fame due to the
use of "Hocus Pocus" by guitarist Gary Hoey on his 1993 album Animal
Instinct, and as the theme for the Nike 2010 World Cup commercial, Write The
Future, directed by the Mexican filmmaker Alejandro González Iñárritu.
The Variations on a Theme
The Variations on
a Theme by Joseph Haydn, (German: Variationen über ein Thema von Jos. Haydn),
now also called the Saint Anthony Variations, is a work in the form of a theme
and variations, composed by Johannes Brahms (German composer, born May 7, 1833,
Hamburg died April 3, 1897, Vienna, Austria-Hungary) in the summer of 1873 at
Tutzing in Bavaria. It consists of a theme in B-flat major based on a
"Chorale St Antoni", eight variations, and a finale. The work was
published in two versions: for two pianos, written first but designated Op.
56b; and for orchestra, designated Op. 56a.
The orchestral
version is better known and much more often heard than the two-piano version.
It is often said to be the first independent set of variations for orchestra in
the history of music, although there is at least one earlier piece in the same
form, Antonio Salieri's Twenty-six Variations on 'La folia di Spagna' written
in 1815.
Brahms's
orchestral variations are scored for piccolo, 2 flutes, 2 oboes, 2 clarinets, 2
bassoons, contrabassoon, 4 horns (2 in E flat, 2 in B flat), 2 trumpets,
timpani, triangle, and the normal string section of first and second violins,
violas, cellos and double basses. The piece usually takes about 18 minutes to
perform.
Brahms composed
the work on a theme entitled "Chorale Saint Antoni" found in a wind
ensemble composition. At the time Brahms discovered it, the wind ensemble piece
carried an attribution to the composer Joseph Haydn. Brahms's titled his own
composition accordingly, crediting Haydn for the theme. But publishers in the
early nineteenth century often attached the names of famous composers to works
by unknown or lesser known composers in order to move inventory. Subsequent
research has shown that the wind piece Brahms used as a source does not fit
Haydn's style. Today the wind ensemble piece remains without attribution.
The first
performance of the orchestral version was given on 2 November 1873 by the
Vienna Philharmonic Orchestra under Brahms's baton.
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