Natural lighter hair colors occur most
often in Europe and less frequently in other areas. In Northern European
populations, the occurrence of blond hair is very frequent. The hair color gene
MC1R has at least seven variants in Europe giving the continent a wide range of hair and eye shades. Based on
recent genetic research carried out at three Japanese universities, the date of
the genetic mutation that resulted in blond hair in Europe has been isolated to
about 11,000 years ago during the last ice age.
A typical explanation found in the
scientific literature for the evolution of light hair is related to the
requirement for vitamin D synthesis and northern Europe's seasonal deficiency of
sunlight. Lighter skin is due to a low concentration in pigmentation, thus
allowing more sunlight to trigger the production of vitamin D. In this way,
high frequencies of light hair in northern latitudes are a result of the light
skin adaptation to lower levels of sunlight, which reduces the prevalence of
rickets caused by vitamin D deficiency. The darker pigmentation at higher
latitudes in certain ethnic groups such as the Inuit is explained by a greater
proportion of seafood in their diet. As seafood is high in vitamin D, vitamin D
deficiency would not create a selective pressure for lighter pigmentation in
that population.
An alternative hypothesis was presented by
Canadian anthropologist Peter Frost, who claims blond hair evolved very quickly
in a specific area at the end of the last ice age by means of sexual selection.
According to Frost, the appearance of blond hair and blue eyes in some northern
European women made them stand out from their rivals at a time of fierce competition
for scarce males.
A theory propounded in The History and
Geography of Human Genes (1994), says blond hair became predominant in Northern
Europe beginning about 3,000 BC, in the area now known as Lithuania, among the
recently arrived Proto-Indo-European settlers (according to the Kurgan
hypothesis), and the trait spread quickly through sexual selection into
Scandinavia. As above, the theory assumes that men found women with blond hair
more attractive.
It is now hypothesized by researchers that
blond hair evolved more than once. Published in May 2012 in Science, a study of
people from the Solomon
Islands in Melanesia found that an amino
acid change in TYRP1 produced blonde hair.
(Tyrosinase-related protein 1, also known
as TYRP1, is an enzyme which in humans is encoded by the TYRP1 gene)
Blond or blonde, or fair hair, is a hair
color characterized by low levels of the dark pigment eumelanin. The resultant
visible hue depends on various factors, but always has some sort of yellowish
color. The color can be from the very pale blond (caused by a patchy, scarce
distribution of pigment) to reddish "strawberry" blond colors or
golden-brownish ("sandy") blond colors (the latter with more
eumelanin). On the Fischer–Saller scale blond color ranges from A to J (blond
brown), the RGB color value is typically #FAF0BE (250,240,190).
Blond or Blonde
Etymology, spelling, and grammar
The word "blond" is first attested
in English in 1481 and derives from Old French blund, blont meaning "a
colour midway between golden and light chestnut". It gradually eclipsed
the native term "fair", of same meaning, from Old English fæġer, to
become the general term for "light complexioned". The French (and
thus also the English) word "blond" has two possible origins. Some
linguists say it comes from Medieval Latin blundus, meaning "yellow",
from Old Frankish blund which would relate it to Old English blonden-feax
meaning "grey-haired", from blondan/blandan meaning "to
mix" (Cf. blend). Also, Old English beblonden meant "dyed" as
ancient Germanic warriors were noted for dying their hair. However, linguists
who favor a Latin origin for the word say that Medieval Latin blundus was a
vulgar pronunciation of Latin flavus, also meaning yellow. Most authorities,
especially French, attest the Frankish origin. The word was reintroduced into
English in the 17th century from French, and was for some time considered French;
in French, "blonde" is a feminine adjective; it describes a woman
with blond hair.
Brad Pitt Cannes 2012
British actor Daniel
Craig named as the first blond Bond
"Blond", with its continued
gender-varied usage, is one of few adjectives in written English to retain
separate masculine and feminine grammatical genders. Each of the two forms,
however, is pronounced identically. American Heritage's Book of English Usage
propounds that, insofar as "a blonde" can be used to describe a woman
but not a man who is merely said to possess blond(e) hair, the term is an
example of a "sexist stereotype [whereby] women are primarily defined by
their physical characteristics." The Oxford English Dictionary (OED)
records that the phrase "big blond beast" was used in the 20th
century to refer specifically to men "of the Nordic type" (that is to
say, blond-haired). Particularly this had associations with Friedrich
Nietzsche's Übermensch. The OED also records that blond as an adjective is
especially used with reference to women, in which case it is likely to be spelt
"blonde", citing three Victorian usages of the term. The masculine
version is used to describe a plural, in "blonds of the European
race", in a citation from 1833 Penny cyclopedia, which distinguishes
genuine blondness as a Caucasian feature distinct from albinism. By the early
1990s, "blonde moment" or being a "dumb blonde" had come
into common parlance to mean "an instance of a person, esp. a woman... being
foolish or scatter-brained." Another hair color word of French origin,
brunet(te) (from the same Germanic root that gave "brown"), also
functions in the same way in orthodox English. The OED gives "brunet"
as meaning "dark-complexioned" or a "dark-complexioned
person", citing a comparative usage of brunet and blond to Thomas Henry
Huxley in saying, "The present contrast of blonds and brunets existed
among them". "Brunette" can be used, however, like
"blonde", to describe a mixed-gender populace. The OED quotes Grant
Allen, "The nation which resulted... being sometimes blonde, sometimes
brunette."
"Blond" and "blonde"
are also occasionally used to refer to objects that have a color reminiscent of
fair hair. Examples include pale wood and lager beer. For example, the OED
records its use in 19th century poetic diction to describe flowers, "a
variety of clay ironstone of the coal measures", "the colour of raw
silk", and a breed of ray.
Blonde song
Hello My Name Is... is the debut studio
album by American actress, musician, and singer-songwriter Bridgit Mendler (born
December 18,
1992) released on October 22, 2012, through Hollywood Records. The first single of the album,
"Ready or Not", was released on August 7, 2012.
It premiered on August 3, 2012, and was released
as a digital download on August 7, 2012. The song was
written by Mendler herself, Emanuel "Eman" Kiriakou and Evan
"Kidd" Bogart. The song debuted at number 98 and peaked at number 49
on the US Billboard Hot 100 chart. It was later certified Gold in Canada
and Platinum in New
Zealand. She has
used three more songs to promote her album: "Hurricane"; which is the
official second single off of the album, "Forgot to Laugh" and
"Top of the World".
The album has
received generally positive reviews from music critics.
The song "Blonde"
is a little clichéd but ends up as a convincing argument that hair color isn't
a gauge of brains.
Thursday May 23 2013, is recorded as the
coldest May 23 ever in the Netherlands. It was not warmer than 10.3 degrees Celsius. The old
record was about 10.4 degrees, in 1975. The lowest temperature measured was
Thursday in South Limburg. There it was locally not warmer than 8.4 degrees. On average the
temperature around this time in May is 18 degrees.
After this weekend the Netherlands slowly move to temperatures with normal values.
Gladly we have DJ Infa, this Saturday,
to cheer us up.
Saturday it is also 135 years a go that the
American stage and screen dancer Bill "Bojangles" Robinson (5/25/1878 - 11/25/1949) was born. So come to T.R.A.C.S, dance and get warm.
So, the inspiration for the song, Mr.
Bojangles, was not the famous stage and movie dancer Bill "Bojangles"
Robinson.
Bill
"Bojangles" Robinson (May 25, 1878 – November 25, 1949) was an
American tap dancer and actor of stage and film. Audiences enjoyed his
understated style, which eschewed the frenetic manner of the jitterbug in favor
of cool and reserve; rarely did he use his upper body, relying instead on busy,
inventive feet, and an expressive face.
A figure in both
the black and white entertainment worlds of his era, he is best known today for
his dancing with Shirley Temple in a series of films during the 1930s, and for
starring in the 1943 musical Stormy Weather, loosely based on Robinson's own
life.
The name Bojangles
Bill Robinson lost both parents when he was
a young boy, and by the time he was six Robinson was dancing in beer gardens
and on neighborhood street corners. All his life he carried the nickname
“Bojangles,” but he could never be quite sure why. One story was that some of
his friends had stolen a hat from a Broad Street
haberdasher named Boujasson. He inherited the hat, along with the name
youthfully mispronounced “Bojangles.”
Another story is that he, as young man,
earned the nickname "Bojangles" for his contentious tendencies.
"African-American writer Donald Bogle
called him “the quintessential Tom” because of his cheerful and shameless
subservience to whites in film. But in real life, Bill "Bojangles"
Robinson, was the sort of man who, when refused service at an all-white
luncheonette, would lay his pearl-handled revolver on the counter and demand to
be served.
Bojangles life and dead
Bill Robinson began dancing in local
saloons at the age of six. He soon dropped out of school to pursue dancing as a
career. He became a popular fixture on the vaudeville circuit just two years
after that. His first professional gig was the part of a “pickaninny” role in
the show “The South Before the War” which toured the northeast. By 1900, he had
made his way to New York and Robinson rapidly rose to become one of America’s
best loved nightclub and musical comedy performers.
In 1908, Robinson met Marty Forkins, who
became his manager. Forkins urged Robinson to develop his solo act in
nightclubs. Robinson took a break from performance to serve as a rifleman in
World War I. Along with fighting in the trenches, Robinson was also a drum
major who led the regimental band up Fifth Avenue
upon the regiment's return from Europe.
In 1928, he starred on Broadway in the
hugely successful musical revue Blackbirds of 1928, which featured his famous
"stair dance." Blackbirds was a revue starring African-American
performers, intended for white audiences. The show was a breakthrough for
Robinson. He became well known as "Bojangles," which connoted a
cheerful and happy-go-lucky demeanor for his white fans, despite the nearly
polar-opposite meaning of the nickname in the black community. His catchphrase,
"Everything's copasetic," reinforced Robinson's sunny disposition.
Although he worked regularly as an actor, Robinson was best known for his
tap-dance routines. He pioneered a new form of tap, shifting from a flat-footed
style to a light, swinging style that focused on elegant footwork.
Robinson’s was
not the conventional shuffling flat-footed style, but instead he danced with a
light, swaying style on the balls of his feet. He refined the “stair dance” in
the 1928 Broadway review Blackbirds and then with Shirley Temple in the 1935
movie The Little Colonel.
Rarely did he
depart from the stereotype imposed by Hollywood writers. In a small vignette in
Hooray for Love he played a mayor of Harlem modeled after his own ceremonial
honor; in One Mile from Heaven, he played a romantic lead opposite
African-American actress Fredi Washington after Hollywood had relaxed its taboo
against such roles for blacks. He only appeared in one film intended for black
audiences, Harlem is Heaven, a financial failure that turned him away from
independent production.
In 1939, he
returned to the stage in The Hot Mikado, a jazz version of the Gilbert and
Sullivan operetta produced at the 1939 New York World's Fair, which was one of
the greatest hits of the fair. His next performance, in All in Fun (1940),
failed to attract audiences. His last theatrical project was to have been Two
Gentlemen from the South, with James Barton, in which the black and white roles
reverse and eventually come together as equals, but the show did not open.
Thereafter, he confined himself to occasional performances, but he could still
dance well in his late sixties, to the continual astonishment of his admirers.
He explained this extraordinary versatility—he once danced for more than an
hour before a dancing class without repeating a step—by insisting that his feet
responded directly to the music without his head having nothing to do with it
Robinson
continued to dance into his 60s; however, due to a penchant for gambling and a
generous spirit, he died penniless in New York in 1949 at the age of
seventy-one. He was mourned by many fans, tens of thousands of whom attended
his funeral which was said to be one of New York’s largest up to that time.